  Above photo shows Outgrowth 2 in low light. It changes a lot with different lighting. It measures 6' x 6' x 6' centered on a floor corner of my poured-concrete basement. It is made entirely out of hyperbolically woven glass and reflective acrylic beads. And lots and lots of clear Gorilla tape. The piece can be dismantled and recreated elsewhere as a temporary installation or a permanent, outdoor piece with clear caulk. I'm very happy with this. I was very happy with Outgrowth 1, but number 2 turned out better than expected. The big difference between the two was the mosaic wall placement. For Outgrowth 1, I used the irrational number "e" (2.7182818284590452353602874713...). It is a number that shows up in population growth so I used it to place the mossy areas along the crack between to the three surfaces and onto the planes. It gave it a more natural growth pattern and, even better, I didn't have to fuss over where to place everything. I *did* fuss over where to place the wall tiles in Outgrowth I and it shows. For Outgrowth 2, I decided to divide the two vertical walls into 10 equal sections with 5 straight lines emanating from the origin point in the corner. I attributed each of those lines a digit from 1 to 0. (I can't remember why I decided to put 0 at the end instead of the beginning.) ((If anyone has a reason it should be the other way around, please let me know!)) Then I placed a wall tile using the line as the axis of growth for that number. I had blocked out two piles of colored tiles prior to installing. I wanted to keep same-color groups together so it would look like there were transitions to different colonies of lichen growing up the wall. Fun fact: the S curve in the final design did not appear in the original concept sketch. The S-curve fluctuates back and forth but remains centered on the growth axis.  It's hard to photograph this body of work because the light effects are luminosity- and angle-dependent. A still photo captures a tiny sliver of the experience. I'll be making more videos featuring each piece to give people a better idea of their visual dynamics and dimension. The first video I did for this piece is fairly one-dimensional because it is a time lapse of the installation. I thought it would be fun to have little videos showing these pieces growing. The first one I made for Outgrowth 1 was terrible but got the point across. I'm learning. The video for Outgrowth 2 is a little better. (These are made with social media in mind.) Here's a short video in which I am wearing the light source. For the next video I'll try a fixed light source behind the camera.
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 'Outgrowth Figure 1' was a temporary wall mural installed in early August 2020 made from the components I was making for a larger installation, 'Outgrowth 1.' It was a good way to get familiar with the temporary adhesives and work out how I was going to build things in the Outgrowth Series. The series is designed for temporary site-specific installations in galleries and outdoor seasonal exhibits. The components of the series are made out of woven glass and reflective acrylic beads. The shapes of the components grow using the same algorithm. The larger pieces with more beads take on obvious hyperbolic, organic shapes. En masse the components appear to be growing colonies of climbing lichen or lush moss. Negative space embellished figures from the 'Outgrowth' series can be interactive. If the mural is created on a light-colored wall with a strong light source behind, visitors' shadows will be cast onto the wall and animate the negative-space figures. The light source also makes the luminous reflective beads shine as the shadows pass beyond them.  |
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