JAM FINE ARTS

  • Home
  • Gallery
  • The Artist
  • JAMdrops
  • Contact
  • LookBook
  • Home
  • Gallery
  • The Artist
  • JAMdrops
  • Contact
  • LookBook

Entries for rare glimpse

1/31/2023

0 Comments

 
Picture
These are the entries for the Call for Entries I posted a few days ago for "Rare Glimpse" co-sponsored by Arts DuPage and North Central College Art Gallery.
Statement for Entry #1 "Permafrost"

"Permafrost" offers a rare glimpse to appreciate the important place of a dwindling keystone of our home world’s climate. The mosaic invites us to pause and reflect upon the vast permafrost tundras as they begin to trickle away and the familiar terrain of the higher latitudes  collapses. “Permafrost” is part of the Floe Series about the continuing disappearance of geologic bodies of ice. 

This work is part of the “Floe” series which consists of a series of woven glass and reflective bead mosaics composed of hexagonal tiles that mimic crystals of ice about extant bodies of geologic ice. The mosaics are layered over round convex safety mirrors that enhance the look of ice and redouble the light passing through the glass beads, enhancing their luminosity.
Picture
Statement for Entry #2

​
"Thwaites Glacier" offers a rare glimpse to appreciate a keystone of our world’s climate that is in danger of imminent loss. The mosaic invites us to pause and reflect upon a polar view of the glacier as it is undercut by warmer than usual ocean currents. There is concern that its giant ice shelf may give way and allow the rest of the glacier to flow down into the ocean causing an alarming rise in global sea level. 

This work is part of the “Floe” series which consists of a series of woven glass and reflective bead mosaics composed of hexagonal tiles that mimic crystals of ice about extant bodies of geologic ice. The mosaics are layered over round convex safety mirrors that enhance the look of ice and redouble the light passing through the glass beads, enhancing their luminosity.
Picture
Statement for Entry #3

"Arctic Ice Sheet" offers a rare glimpse to appreciate the capstone of our home world’s climate that is in danger of vanishing. The mosaic invites us to pause and reflect upon a polar map of the seasonally waxing and waning ice sheet in the arctic circle. The ice sheet is being undercut by warmer than usual ocean currents as well as higher summer temperatures. 

This work is part of the “Floe” series which consists of a series of woven glass and reflective bead mosaics composed of hexagonal tiles that mimic crystals of ice about extant bodies of geologic ice. The mosaics are layered over round convex safety mirrors that enhance the look of ice and redouble the light passing through the glass beads, enhancing their luminosity.
Note: This series is a bummer, especially with the artist statements. The judges might not want negativity in their show. But as I wrote before, the day may come when these cold pieces evoke a wistful and warm glow of nostalgia. The word count didn't allow room for me to add that.
0 Comments

Best of Show

4/9/2022

0 Comments

 
Picture
Gary Schirmer art professor of College of DuPage, NIU and Aurora U awarded Oceanic Panopticon the Best in Show ribbon at Addison Artist Guild's 2022 Spring Members' Show today. I am grateful and honored for the recognition.

In other news, Enchanted Spring was accepted into the CAVA art show in Beverly that opens in a couple of weeks. Blackfoot glacier was accepted into Sculpture at the Kavanagh.
0 Comments

CAVA 2022 Entry

12/2/2021

0 Comments

 
CALENDAR OF EVENTS

DEADLINE TO SUBMIT: Sunday, December 5, 11:59 PM

NOTIFICATION OF ACCEPTED ARTWORK: Monday, December 15, by 11:59
LOCATION: Mayslake Peabody Estate, 1717 W. 31st Street, Oak Brook, IL. 60523

DROP OFF: Monday, January 3, 2022; 5:30 - 8:00 p.m.

EXHIBIT OPENS: Wednesday, January 5, 2022

OPENING RECEPTION: Saturday, January 8, 3:00 - 5:00 PM

GALLERY HOURS: Monday-Friday Noon-3:00 PM,
Saturday 9:00 AM-1:00 PM

FINAL DAY OF EXHIBITION: Saturday, February 26, 2022

PICK UP: Saturday, February 26, Time TBD
0 Comments

Goldilocks Panopticon 1

6/9/2021

0 Comments

 
Picture
Goldilocks Panopticon 1, 2021, is a woven glass and reflective bead tile mosaic on a full dome security mirror with optional chain for suspending it from a ceiling or beam. It is part of the Panoption series. I am working on a 36" GP2.

Below are some WIP shots:
Picture
Picture
There are two more Goldilocks spinoffs. One is a vase still in progress and this little study was given as a birthday gift.
Picture
0 Comments

Honeymoon Panopticon

3/7/2021

1 Comment

 
Picture
'Honeymoon Panopticon, the second piece in the Panopticon Series, was inspired by a lack of consent, betrayal of romantic intimacy, and a smart phone. That’s all I’m going to say about that.
​
Unfortunately, the problem of lack of consent isn’t limited to intimate interpersonal relationships. It has become a concern worldwide. This results in an imbalance of power between the subjects of data collection and those who use it.
The Panopticon Series explores both the benefits and drawbacks of humanity's new capabilities to observe each other, our world, and our universe.

The piece is a woven bead tile mosaic on a 36" convex security mirror. Each tile is woven into the shape of a heart with reflective, pearly, and iridescent beads.

This piece will be debuted at Sculpture at the Kavanagh opening March 26, 2021. You can view the exhibition in person or through a virtual exhibition.
More info at the Fine Line Art Center's web site.
Picture
1 Comment

Outgrowth 2

12/2/2020

0 Comments

 
Picture
Picture
Above photo shows Outgrowth 2 in low light. It changes a lot with different lighting. It measures 6' x 6' x 6' centered on a floor corner of my poured-concrete basement. It is made entirely out of hyperbolically woven glass and reflective acrylic beads. And lots and lots of clear Gorilla tape. The piece can be dismantled and recreated elsewhere as a temporary installation or a permanent, outdoor piece with clear caulk.

I'm very happy with this. I was very happy with Outgrowth 1, but number 2 turned out better than expected. The big difference between the two was the mosaic wall placement. For Outgrowth 1, I used the irrational number "e" (2.7182818284590452353602874713...).
It is a number that shows up in population growth so I used it to place the mossy areas along the crack between to the three surfaces and onto the planes. It gave it a more natural growth pattern and, even better, I didn't have to fuss over where to place everything. I *did* fuss over where to place the wall tiles in Outgrowth I and it shows.

For Outgrowth 2, I decided to divide the two vertical walls into 10 equal sections with 5 straight lines emanating from the origin point in the corner. I attributed each of those lines a digit from 1 to 0. (I can't remember why I decided to put 0 at the end instead of the beginning.) ((If anyone has a reason it should be the other way around, please let me know!))  Then I placed a wall tile using the line as the axis of growth for that number.

I had blocked out two piles of colored tiles prior to installing. I wanted to keep same-color groups together so it would look like there were transitions to different colonies of lichen growing up the wall. Fun fact: the S curve in the final design did not appear in the original concept sketch. The S-curve fluctuates back and forth but remains centered on the growth axis.

Picture
It's hard to photograph this body of work because the light effects are luminosity- and angle-dependent. A still photo captures a tiny sliver of the experience. I'll be making more videos featuring each piece to give people a better idea of their visual dynamics and dimension.

The first video I did for this piece is fairly one-dimensional because it is a time lapse of the installation. I thought it would be fun to have little videos showing these pieces growing. The first one I made for Outgrowth 1 was terrible but got the point across. I'm learning. The video for Outgrowth 2 is a little better. (These are made with social media in mind.)
Here's a short video in which I am wearing the light source. For the next video I'll try a fixed light source behind the camera.
0 Comments

Black Star Panopticon

10/29/2020

1 Comment

 
Picture
I finished Black Star Panopticon a few days ago. It is bead mosaic on a 26" x 26" security mirror. These are the security mirrors that show if a truck or person is coming around the corner of the loading dock or if a kid is putting a bag of Funyuns down their pants at 7-11. I installed strap hangers on the back because it will look great hanging flush on a wall. I still have the installation hardware it came with if someone has a loft  and wants to install it in a corner.

Continuing with the formal aspects...since making Blue Star vase, I've been searching for another object with a mirrored surface because I still want to explore optical layering effects between the mirror, different qualities of glass beads and the reflective acrylic beads. I had considered doing a mosaic on a typical household decorative mirror, but wasn't excited about the idea because they are flat. Back in the day, doing art consulting and interiors I designed/ordered and installed a lot of decorative mirrors along with more typical art works. I was happy to find this mirror so I could add a dark industrial twist to domestic mirrors and enjoy working on a convex shape instead of settling on a flat mirror.

The tiles of the bead mosaic are little ~3/4" woven hexagons of only 12 beads. I got a nice net pattern out of them. It's obviously a hand-placed mosaic and not a precision CAD print, but the hexagons still give the piece an engineered fell about it.

Putting a security mirror in a strategic area of a home adds to the panoply of surveillance devices we have elected to live with. Someday, maybe I will find one of those interactive internet hubs people talk to in their homes and take a picture with BSP above it.

​I want to make another one.
1 Comment

Outgrowth figure

9/16/2020

0 Comments

 
Picture
'Outgrowth Figure 1' was a temporary wall mural installed in early August 2020 made from the components I was making for a larger installation, 'Outgrowth 1.' It was a good way to get familiar with the temporary adhesives and work out how I was going to build things in the Outgrowth Series. The series is designed for temporary site-specific installations in galleries and outdoor seasonal exhibits. The components of the series are made out of woven glass and reflective acrylic beads.

The shapes of the components grow using the same algorithm. The larger pieces with more beads take on obvious hyperbolic, organic shapes. En masse the components appear to be growing colonies of climbing lichen or lush moss.

Negative space embellished figures from the 'Outgrowth' series can be interactive. If the mural is created on a light-colored wall with a strong light source behind, visitors' shadows will be cast onto the wall and animate the negative-space figures. The light source also makes the luminous reflective beads shine as the shadows pass beyond them.

Picture
0 Comments

Breton's suns

11/21/2019

0 Comments

 
Picture
Picture
I am researching sun colors for my disco ball sun. I am leaning toward a reddish pink ball like the artist Jules Breton was so good at painting. I'm thinking somewhere between pink grapefruit and blood orange. I haven't started testing color variations yet, but I have a pattern that evolved while working on Blue Sun. It has a good scale to get the texture I want and a little repeating spiral to make it dyanamic. Imagine the beaded tile to the left repeating all over a sphere. I have to look at more astronomical pictures of the sun to see how or whether I should flip the spirals going left and then right.

If you have ever been to the Art Institute of Chicago you have probably seen the picture above, "The Song of the Lark" from 1884. Although not a Regionalist piece, it resonated in sympathy with the midwestern aesthetic groundswell that brought "American Gothic" to fame.

Rising or setting, I like his suns. These photos don't do them justice. The top one below is called "The Weeders" or "The Gleaners". The title I am finding for the bottom one is "Tired Gleaner." I'm guessing Breton's real titles were in French.

Picture
Picture
0 Comments

Blue sun

11/10/2019

0 Comments

 
Picture
I'm starting work on a mercury glass almost-globe vase. It's a study for a disco ball sun or-- if my proposal is accepted for Par Excellence--Saturn. Or both.

I want the reflective silvery surface to shine through the bead mosaic. I am learning some new bead tiling techniques inspired by of Gwen Fisher's blog. The modular tiles have nice voids that will hopefully give me a layered, dappled effect.

It's going to be a blue star because I don't think I need those colors for other projects. I can spare them. I will be using blue reflective beads and blue transparent, maybe some translucent 6/0 beads.

Back to Gwen Fisher...she is one of the hyperbolic and mathematical beaders. I love her work.
Picture
0 Comments
<<Previous

    artist

    Julie Mars' current events, projects, & inspirations.

    Archives

    January 2023
    December 2022
    November 2022
    October 2022
    August 2022
    July 2022
    June 2022
    May 2022
    April 2022
    March 2022
    December 2021
    August 2021
    July 2021
    June 2021
    May 2021
    April 2021
    March 2021
    February 2021
    December 2020
    October 2020
    September 2020
    August 2020
    June 2020
    May 2020
    March 2020
    November 2019
    October 2019
    January 2019

    Categories

    All
    33 Contemporary Gallery
    Acrylic Painting
    Activist Jewelry
    Addison Art Guild
    Addison Center For The Arts
    Addison Public Library
    Angela Haseltine Pozzi
    Antonia Ruppert
    Arctic Ice Sheet
    Art 101
    Art 101: A Regional Juried Exhibition
    ArtBeat Of Fox Vallery
    Art Exhibit
    Art History
    Arts DuPage
    Arts DuPage Month
    Art Show
    Assemblage
    Award
    Bead Installation
    Bead Mosaic
    Bead Mural
    Beadweaving
    Bead Weaving
    Beneath The Surface
    Benjamin F. Calvert III
    Best In Show
    Biomass
    Bits And Pieces
    Blackfoot Glacier
    BlackStar Panopticon
    Blue Lit
    Blue Star Vase
    Body Of Work Podcast
    Call For Artists
    Call For Entries
    CAVA
    Cheryl Holz
    Chris Palm
    Circles Of Light: Halos In Contemporary Art
    Collaboration
    Collaborative Art
    Collage
    Conspirituality
    Corner Art
    Corner Installation
    Cosmos
    Dan Flavin
    DIY Jewelry
    Dorothy Bury Shaw
    Drops Of Jupiter
    Ekphrastic Poetry
    El Anatsui
    Elgin
    Elmhurst Artist Guild
    Elmhurst Art Museum
    Embracing Texture
    Embroidery
    Engraving
    Environmental Art
    Expressions: Art & Verse 2023
    Faces Of Addison
    Felix Gonzalez-Torrez
    Fermilab AIR
    Fiber Art
    Fine Line Art Center
    Flat Round Peyote
    Fractal Bead Pattern
    Frankfort Arts Association
    Game Of Shrooms
    Geometric Tiles
    Goldilocks Panopticon
    Goldilocks Panopticon 1
    Gwen Fisher
    Hallie Morrison
    Hallie Sanclemente Morrisson
    Harper College
    Hilma Af Klint
    Honeymoon Panopticon
    Hyperbolic Beadweaving
    Hyperbolic Form
    IL
    Illiart
    Illinois Art
    Illinois Artist
    Illinois State Poetry Society
    Illustration
    Installation
    Installation Art
    Interactive Art
    Jason Rogenes
    Joan Ladendorf
    Josephine Burke
    Juicy Sunrise
    Jules Breton
    Julie Mars
    Kavanagh Gallery
    Kenneth Kemp
    Kohler Art Center
    Lewis Achenbach
    Lynda Benglis
    Maker Art
    Margherita Bernardi-Trahan
    Mars Patterson
    Midwest Collage Society
    Mike Vanko
    Mirror Art
    Mixed Media
    Modular Hyperbolic Sculpture
    Morteratsch Glacier
    Muggletonian Cosmology
    Nancy Rosenberg
    Norris Cultural Arts Center
    North Central College
    Nuclear Fusion
    Oak Park Art League
    Oceanic Panopticon
    Oddball Art Labs
    Oesterle Library
    Olafur Eliasson
    Online Exhition
    Outgrowth
    Panopitcon
    Panopticon Series
    Par Excellence Redux
    Permafrost
    Photography
    Photo-luminescent Pigment
    Podcast
    Pop Surrealism
    Proposal
    Pseudoscience
    Pseudoscientific Art
    Public Art Project
    Rare Glimpse
    Reflective Art
    Regionalism
    Robert Wilson
    Safety Pin Jewelry
    Sculpture
    Sculpture At The Kavanagh
    Sergio Gomez
    Sharl G. Smith
    Shroomdrop
    Side Street Studio Arts
    Sierpinski Tetrahedron
    Small Works 2022
    Solar Panels
    Solar Power
    Sue Anderson
    Tania Blanco
    TLD Design Center
    Union Street Gallery
    Upcycled
    Upcycling
    Urbex
    Vase
    Visual Harmony
    Women's Art
    Woven Bead Mosaic

    RSS Feed