My work explores the natural world through sculpture, mosaic, and installation, informed by biology and environmental science. I seek to bridge art and nature, fostering wonder, connection, and sustainable creative practices.
Tethered Fairy Circle highlights the hidden networks of the forest. Expanding on my Floe Series (waning geologic ice), Outgrowth Series, and Canopy Series (celebration of trees), this piece continues my commitment to honoring the intricate environmental dynamics that sustain life. I propose a fairy circle installation near a tree on-site, composed of approximately 20 papercrete mushroom sculptures ranging from 8” to 16” tall. The mushroom caps will feature decorative butterfly-wing mosaic patterns in white, off-white, clear ceramic, and glass, with all edges ground and sealed for visitor safety. The installation will span 9’ in diameter with a wood chip base, and the Arboretum may provide a wood chip connecting path. Each mushroom will be secured with lawn stakes through screw eyes, and beneath each will be a woven net, slightly frayed to suggest the texture of mycelium, adorned with glass and reflective beads, and also anchored with small ground stakes. These materials are weather resistant so the mushrooms should be fit for sale next Spring. Mushrooms are more than ephemeral forest dwellers—they drive decomposition, regeneration, and nutrient exchange. Rooted in folklore, the fairy circle sparks imagination while revealing the occult mycelial networks beneath our feet. This sculptural colony highlights the fibrous conduits of information and nutrients, offering a moment of reflection on cycles of renewal and interconnectedness. This installation invites visitors into an enchanted space where art and ecology—fungi and tree roots—intertwine, cultivating curiosity and appreciation for the delicate balance of life beneath the forest floor.
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Notes for For Klehm arboretum's outdoor exhibit proposal:
"Tethered fairy rings, in contrast, develop in woodlands and are formed by mycorrhizal fungi. These fungi form important symbiotic associations with many vascular plants, particularly forest trees. In his book Mushrooms of Northeast North America (Lone Pine, 1999), mycologist George Barron notes that trees depend on this type of fungi for survival. “Each tree has hundreds of thousands of kilometers of fungal threads associated with its roots,” Baron writes. “It is these mycorrhizal fungi that supply the tree with the nutrients and water essential for healthy growth. In exchange, the tree gives the fungus sugars that are manufactured through photosynthesis in its leaves.” The fungi use the sugar obtained from the partner tree as an energy source for growth and for maintenance of the mycelial network, as well as in the production of the fruiting bodies, or mushrooms. The more common trees in northern forests that form this type of partnership include birch, oak, beech, pine, fir, and spruce. Tethered fairy rings grow around one or several central trees. The mycelium remains associated (tethered) with its partner tree’s roots, limiting how far from the tree the ring can expand. While free fairy rings are easier to spot in open areas, the tethered fairy rings of forests and woodlands are more numerous. Some common fungi that can produce tethered fairy rings include fly agaric, death cap, clouded agaric, and matsutake." from https://www.newyorkalmanack.com/2021/10/fairy-rings/ I am working up a ground installation of larger than life size 3D mosaic mushrooms. I am going to list the installation as 18" high. Each mushroom will have a doily-like round net collar at the base that spans out and overlaps with the net from adjoining mushrooms. The center of the fairy ring will be free of net so that kids can walk into the ring if they want to. The arboretum will display a plaque that educates visitors about the symbiotic relationship between the mycorrhizal fungi and the tree/s near the installation site. I've requested a site near a tree so I can play off the tethered relationship. I sort of wanted to do puffballs since they are the state mushroom of Illinois, but they don't have the classic mushroom shape that children will recognize immediately. I am going to avoid doing an exact species and go generic fairy patterned white, since I am trying to avoid some negative mushroom connotations. I don't want to do amanita muscaria or nightcaps. I also don't want to create a wild colored and patterned hippie psychedelic piece. I think I am going to do butterfly wing patterns in pale colors, white and reflective beads to give a fairy light effect at night. The hyphae net collars will also have reflective white or silver beads. I may fray the fiber of the net to give the hyphae a fuzzy texture in places. The mushrooms will be mounted on plywood bases. The net collars will be sandwiched between the mushroom and the wood. The bases will be painted brown. I am asking the arboretum to provide wood chips to lightly cover the bases and create an 8 foot circle. If they want to chip a little path to the circle that would be cute too. The piece will remain on display outside for one year. Mosaics are no brainers for outdoor sculpture. I am thinking of crocheting the net collars out of nylon or polyester cord. Whatever I can stitch reflective bead into and fray a little for texture. I'd use cotton thread but preserving the white color is important. Thematically, I like the idea of using the folklore/fantasy hook of a fairy circle to engage peoples imagination and then the arboretum can take that attention and inform visitors about the wonderful symbiotic relationship between the tree roots and the hyphae of the fungus. When I was a new student studying sculpture at the Art Institute of Chicago I was very aware of a collaborative miniature golf project that lots of artists were working on. It wound up being wildly popular. Recently, the same group of artists put out a call for entries that they are doing it again—this time in partnership with the Elmhurst Art Museum. After Elmhurst, it is expected to travel to other art centers in the midwest. This is the time to resurrect an immersive/interactive project like this. Interactive exhibits are all the rage with traveling Kusama installation shows, Meow Wolf, and the new Flyboy exhibit, etc. Sure, they're Instagram traps, but they are also totally fun. Anyway, I just submitted my proposal "Swinging Round the Rings of Saturn." The objective of the hole is to navigate your probe (golf ball) through the dynamic ice fields of the rings of Saturn to explore the planet. The bird's eye footprint view of the roughly 82"x132" putting enclosure minus cutout is shown above. It features a black Astroturf playing surface that will be embroidered with strong, flat iridescent ribbon into a representation of the rings of Saturn. Yes. This is going to be a PITA. I'm guessing that I'll have to build the platform in pieces including the Astroturf so I can manage. I'm having visions of not being able to get a carpet needle through the turf and having to drill holes for the ribbon. Also, the individual stitches will have to be pretty short so it doesn't get stuck in pointy shoes. The planet Saturn will be a 3D, cut out hemisphere that conforms to the footprint—unless there is room for me to do a full hemisphere, which is what I want to do. I will try to use recycled/salvaged materials wherever possible on Saturn and throughout the installation. {(Edit 1/9/2019) Thinking of making Saturn out of a second-hand disco ball. I think most have foam cores which is perfect if I have to crop the sphere to stay within the footprint of the mini golf hole. I am pretty sure I will do a layer of open-weave mosaic embellishment over the mirror. I am very excited about doing this and I'm about to make a piece over a mercury glass globe vase as a study. New brag! Disco balls are my primer. I'm going to see a guy about a second-hand 20" disco ball tomorrow.} On the putting surface, there will be free rolling lightweight balls ranging in size from 5" to 8" embellished to look like they are made of ring ice. These rolling balls are meant to get whacked around by the golf balls and make the putting surface more dynamic, frustrating, and competitive. In addition to the rolling elements there will be 3-5 larger stationary obstacle chunks of "ice." The ice elements will be made out of recycled plexiglass, reflectors, and clear bag plastic for filling. Many of these elements will be embellished with acrylic beads and reflective tape. I made a prototype of one of the rolling ice balls for the proposal. Here's a picture of it on the raw sketch: I'm happy with the way it looks, but I used glass beads on the prototype and they are too heavy. I'm switching to plastic from here on out. Here's a shot trying it out against a live putt for scale: We were asked to suggest ways to continue the theme of our holes up onto a wall if our hole is sited against a museum wall. I thought it would be fun to do an assemblage of a planetary probe made out of a salvaged satellite TV dish and, if I can find some, salvaged solar panels. If I can't find a nice set of 3 panels, I'll simulate 3 solar panels to make something that looks like this on a field of stars: Space probe!!! I so want to make this.
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