JAM FINE ARTS

I am researching sun colors for my disco ball sun. I am leaning toward a reddish pink ball like the artist Jules Breton was so good at painting. I'm thinking somewhere between pink grapefruit and blood orange. I haven't started testing color variations yet, but I have a pattern that evolved while working on Blue Sun. It has a good scale to get the texture I want and a little repeating spiral to make it dyanamic. Imagine the beaded tile to the left repeating all over a sphere. I have to look at more astronomical pictures of the sun to see how or whether I should flip the spirals going left and then right.

If you have ever been to the Art Institute of Chicago you have probably seen the picture above, "The Song of the Lark" from 1884. Although not a Regionalist piece, it resonated in sympathy with the midwestern aesthetic groundswell that brought "American Gothic" to fame.

Rising or setting, I like his suns. These photos don't do them justice. The top one below is called "The Weeders" or "The Gleaners". The title I am finding for the bottom one is "Tired Gleaner." I'm guessing Breton's real titles were in French.

I'm starting work on a mercury glass almost-globe vase. It's a study for a disco ball sun or-- if my proposal is accepted for Par Excellence--Saturn. Or both.

I want the reflective silvery surface to shine through the bead mosaic. I am learning some new bead tiling techniques inspired by of Gwen Fisher's blog. The modular tiles have nice voids that will hopefully give me a layered, dappled effect.

It's going to be a blue star because I don't think I need those colors for other projects. I can spare them. I will be using blue reflective beads and blue transparent, maybe some translucent 6/0 beads.

Back to Gwen Fisher...she is one of the hyperbolic and mathematical beaders. I love her work.

Call for entries and prospectus http://www.xculturearts.com/Curiosity-artist-briefing.html

The exhibition will be at The Old Courthouse Art Center in Woodstock, IL. I haven't shown anything there yet.

You can submit up to 5 pieces. I proposed Solar Panels, Cosmos, The Rose, Enchanted Spring, and piSun.

I haven't shown The Rose before. I am going to keep adding to it for years like a giant ball of twine. It's a curiosity so I thought, why not.

This project took me about 6 months from concept to installing it and taking pictures yesterday. Once the photos were in the can I was so relieved that I got everything done that I had a good cry.

This piece celebrates the power of the sun. In addition to playing with optics and light effects like all of my other pieces, this one harvests photons with solar collectors and photo-luminescent pigment. As my daughter informed me the piece has an Easter egg...when it gets dark this piece glows like a bioluminescent cove in a tropical paradise. The underpainting has a layer of a pigment called Blue Lit that glows from beneath the transparent and translucent beads.

The solar powered elements soak up sunlight all day and then when it gets dark enough they turn on their fairy lights.

I plan to exhibit "Solar Panels" for the Elmhurst Artist Guild's Winter Member's Show. The Guild has a 40" max width for the show so "Solar Panels" will be installed vertically. That will be fun to see!

Below is a video, shots of the piece in daylight, twilight, and dark modes, the prep studies, and a spin-off bowl that I made while making solar panels.

When I was a new student studying sculpture at the Art Institute of Chicago I was very aware of a collaborative miniature golf project that lots of artists were working on. It wound up being wildly popular.

Recently, the same group of artists put out a call for entries that they are doing it again—this time in partnership with the Elmhurst Art Museum. After Elmhurst, it is expected to travel to other art centers in the midwest.

This is the time to resurrect an immersive/interactive project like this. Interactive exhibits are all the rage with traveling Kusama installation shows, Meow Wolf, and the new Flyboy exhibit, etc. Sure, they're Instagram traps, but they are also totally fun.

Anyway, I just submitted my proposal "Swinging Round the Rings of Saturn." The objective of the hole is to navigate your probe (golf ball) through the dynamic ice fields of the rings of Saturn to explore the planet. The bird's eye footprint view of the roughly 82"x132" putting enclosure minus cutout is shown above. It features a black Astroturf playing surface that will be embroidered with strong, flat iridescent ribbon into a representation of the rings of Saturn.

Yes. This is going to be a PITA. I'm guessing that I'll have to build the platform in pieces including the Astroturf so I can manage. I'm having visions of not being able to get a carpet needle through the turf and having to drill holes for the ribbon. Also, the individual stitches will have to be pretty short so it doesn't get stuck in pointy shoes.

The planet Saturn will be a 3D, cut out hemisphere that conforms to the footprint—unless there is room for me to do a full hemisphere, which is what I want to do. I will try to use recycled/salvaged materials wherever possible on Saturn and throughout the installation.

{(Edit 1/9/2019) Thinking of making Saturn out of a second-hand disco ball. I think most have foam cores which is perfect if I have to crop the sphere to stay within the footprint of the mini golf hole. I am pretty sure I will do a layer of open-weave mosaic embellishment over the mirror. I am very excited about doing this and I'm about to make a piece over a mercury glass globe vase as a study. New brag! Disco balls are my primer. I'm going to see a guy about a second-hand 20" disco ball tomorrow.}
 
On the putting surface, there will be free rolling lightweight balls ranging in size from 5" to 8" embellished to look like they are made of ring ice. These rolling balls are meant to get whacked around by the golf balls and make the putting surface more dynamic, frustrating, and competitive.

In addition to the rolling elements there will be 3-5 larger stationary obstacle chunks of "ice."

The ice elements will be made out of recycled plexiglass, reflectors, and clear bag plastic for filling. Many of these elements will be embellished with acrylic beads and reflective tape.

I made a prototype of one of the rolling ice balls for the proposal. Here's a picture of it on the raw sketch:

I'm happy with the way it looks, but I used glass beads on the prototype and they are too heavy. I'm switching to plastic from here on out. Here's a shot trying it out against a live putt for scale:

We were asked to suggest ways to continue the theme of our holes up onto a wall if our hole is sited against a museum wall. I thought it would be fun to do an assemblage of a planetary probe made out of a salvaged satellite TV dish and, if I can find some, salvaged solar panels. If I can't find a nice set of 3 panels, I'll simulate 3 solar panels to make something that looks like this on a field of stars:

Space probe!!! I so want to make this.

I chatted with Mike Vanko back in December about his Body of Work "Decaying History." Vanko is an urban explorer/photographer. I had the privilege of helping him put together the first solo exhibition of his photos and videos for an unscheduled popup show at the Addison Center for the Arts from December 15, 2018 to January 12, 2019. Click here to listen to the podcast on SoundCloud.

Come to Peace of Art Gallery January 26, 2019 from 6 to 9 PM to celebrate the gallery's First Anniversary! Peace of Art Gallery is dedicated to exhibiting local artists at affordable prices. They have something for everyone. JAM Fine Arts' Julie Mars has four pieces on display and will be there to chat and enjoy the party with you.

I have an interest in old science illustrations. Part of what I love about them is that they illustrate how science marches on by displaying what was the cutting edge understanding of the world at the time. In hindsight, we have a privileged vantage point to recognize where the images either incomplete or quaintly misguided. Fortunately for all of us science is self-correcting and that is fun to trace through science images.

Open Culture reminded me that I have a fondness for another related group of art and illustration. I get a huge kick out of the writings, diagrams, and illustrations of fringe theorists. They are those who regardless of current scientific consensus, persistently shout about their alternate view of life, the universe, conspiracies, and everything. Open Culture put up some gorgeous images produced by a member of the Muggletonian religious sect from 1846. Half of the images describe why Isaac Newton (Copernicus, Galileo etc. etc.) was wrong. The other half illustrate the One True Cosmos per the Muggletonian view that they claimed are true thanks to scripture. The One True Cosmos Muggletonian view is charmingly wrong but makes gorgeous works of art.

Here is a description of the prints from George Glazer Gallery in New York:
A series of six astronomical engravings in tones of blue, white, yellow, and green, intended to demonstrate that the earth is at the center of the universe, based on planetary charts drawn by Isaac Frost, an artist and scientist associated with a Victorian sect known as the Muggletonians. They were engraved by Chubb & Son, London, and printed by George Baxter, who employed his innovative oil color printing technique that permitted subtle gradations and seamless transitions between colors for a glowing effect.

The art nerd in me was intrigued to hear about the color printing technique because my assumption was that they were hand colored like so many other engravings of the time. Those attractive teals and yellows should be consistent throughout the print runs. Like a lot of other engravings from earlier centuries, the prints were meant to be illustrations in a book rather than wall art. However, as we all know it became common for people to cut the plates out of periodicals and old books and frame them for display. (If you have or come across any antique books with great pictures, please don’t do this. Make a color copy instead.)

(End nerdy digression)

So my dream curiosity cabinet has a restricted section for irrational oddities like these prints. They are beautifully color-crafted engravings with striking compositions.

I am working on a series of pieces influenced by people who are doing this kind of stuff right now. My Pseudosphere Earth Theory project is a response to the baffling beliefs of flat Earth theorists and many other fringe opinions. Nowadays, everybody with a homespun view of the world and a moderate budget can disseminate it with very little sophistication. Occasionally, they produce documentaries that rival the polish of Hollywood studios or NASA’s animation team. I won’t make a very slick video but there will be a video–albeit a cheesy and awkward one.

Thanks to the judge for the “In and Around-Vessels and Jewelry” exhibit at the Fine Line Art Center’s Kavanagh Gallery for the Merit Award in vessels. The show runs from June 18 through August 10, 2018 at the Fine Line Art Center in St. Charles, IL. The art work of many fine artisans and artists is on display. The show has a delightful variety of media and techniques.
The Fine Line Art Center is a gem. I encourage everyone to take advantage of the enriching classes, programs and exhibits on offer there.